But Coel also turns in an electric performance. It’s that fog of bewilderment that is so unnerving. It is both sensitive and intuitive not to show repeated gratuitous scenes of rape, as in The Fall, but to present what victims actually experience – shards of memory that are often mistaken for dreams that inability to write or speak cogently, or carry out usual mental or physical tasks. It’s a relief not to have the usual clichéd TV scenes of a charming stranger showing an ugly psychopathic side – after all, most sexual assaults are not committed by strangers. We follow the experience of Arabella, puzzled by blanks in her memory, initially with no awareness of what happened at all. ‘The Marvelous Mrs.What actually happens that night is not depicted, which is a stroke of genius.Ondi Timoner (‘Last Flight Home’ director) on how a film about her father’s death became ‘about how to live’.‘RuPaul’s Drag Race All Stars’ season 8 episode 4 recap: ‘Screen Queens’.Alex Timbers (‘John Mulaney: Baby J’) on directing a special that is ‘earnest but doesn’t wallow’.Natasia Demetriou (‘What We Do in the Shadows’): From BAFTAs to Emmys?.
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